Friday, January 30, 2009

Virginia Woolf - A Room of My Own

Virginia Woolf's talk was first delivered to a response to the question "What is the relationship between women and fiction?" If women have the habit of freedom and the courage to write what we want- that there is no arm to cling to, that we go alone - could there be a woman Shakespeare?
In 1928, Woolf is convinced that there has never been a woman Shakespeare because of several reasons. First, women are responsible for the children. Raising children is a time-consuming job, leaving them with no time to write, or write with the value of Shakespeare. Second, women are not presented with the same opportunities as men. Women have always been a part of a male-dominant society (some could argue that we have finally made it to that point of recent), and opportunities have always been fashioned around men. As hard as women could work to become a Shakespeare, they would never have the same opportunities as men to publish, or gain the credit that they deserve. Third, women did not have the opportunity to participate in acting. Their writing was also devalued; men said that women who wrote were doing so to be like men, to spend time with the men. There was no way that their work would maintain any credibility or value. 

Woolf begs the question "is it important to write like a feminist/ like a woman?"
It seems that because women had so much to prove they first started writing like men. To be accepted they had to have the ideas of men. Then suddenly, women wanted to show the female aspect. To gain value as a writer they should not act as a man, they should speak out as a woman. This 'woman's voice' became tremendously important; it became a statement on it's own. Now to be a woman writer with value, you had to speak on women's issues, you had to be a feminist. If you were somehow now portraying yourself in this way, you were making a mockery of women all over, humiliating your own sex. I completely understand why women feel  the pressure to write like a feminist. It is this obsession to bring women's issues to the forefront, to shed light on your own sex. I don't think though that women should have to reside in this stereotype. Women should write whatever they feel like writing, regardless if it is considered "mens writing" or not. That is the real problem. Why does there have to be a set difference in women's and men's writing; can't we all be sympathetic to each other's struggles. Writing is a different process for each person, and to be restricted to write within a certain genre, takes away the personal process writing is. However you feel like expressing yourself, should be accepted by everyone. 

"I thought how unpleasant it is to be locked out; and I thought how it is worse, perhaps, to be locked in," Virginia Woolf

I am sure this quote can be interpreted many ways, but I see it as Woolf saying that the idea of being "locked in" is the real problem. Regardless if you are locked in a man's world or a woman's world, we should not have to be molds to any certain design. Even as a female student in college, I feel as if everyone thinks that all my papers must be about feminism, about the woman's struggle. Why I am a feminist, and I do like writing about women's issues (because that is what I know best), I don't want to be cast into a certain stereotype because of my sex. I love writing about other things as well, and knowing that what I write is my own feelings, that I am being true to my creativity by writing from the heart, not from societies standards. While Woolf hates the thought of being locked out from the literally world, it is almost worse to be locked into a certain mold once in that world. Once she writes about the female struggle, she is automatically locked in as a feminist, woman, writer. While yes, she is a feminist, but she is also a human, who undergoes human struggles everyday as well. She sees the literary scope as a lose-lose at this time period. She either remains on the outside, or she maintains a position on the inside, but must remain within this feminine sphere forever. 

Monday, January 26, 2009

Vindication of the Rights of Women

Mary Wollstonecraft
History: Reflections of revolution 1789, she published one of the first responses called Vindication of Rights of Men, published anonymously - speaks as if written by a man; manly= virtuous, rational - Vindication of the rights of Women
men is a number of classes; all human beings - she doesnt just mean masculine men, she means humans. 
term man for humans? mankind? - making man the norm, principle form, the most exemplary 
society systematically induces sexism through education, trains women not to be virtuous, rational, or manly

attacks kings - every profession which involves subordination, is highly injurious to morality (teacher to students?) - proponents of meritocracy  

nsw-corps-officer.jpg Soldier=Woman 

cmHOUSEWIFE_ARTICLE_narrowweb__300x443,0.jpg

pg. 41: standing armies - understanding is rare to be found among soldiers and women; only taught to please- only taught about manners before morals - both blindly submit to authority - - if you educate men to be as stupid as women, they will be therefore you could potentially educate women to be as smart as men. - women are not naturally inferior, they just are nurtured to be this way
so upset with Rousseau because he stands for equality of men, social contract - he would have endorsed her vindication of the rights of man, but when it comes to women, he does not endorse it 
Women aggravate the situation though- using your sexual power, play on the weakness of men - not using your wisdom -- become so attractive so that men faun over you and worship you; leads to sensuous fantasy DONT BUY INTO THIS

first time there is a clear opposition to education; suggestive of reform 
Wollstonecraft believed in virtue, very rationalistic, fell in love professed this love and for her this is marriage did not with anything to do with traditional marriage - had a child out of wedlock; he felt he was just involved with a mistress, so she tried to commit suicide, felt the world had utterly betrayed her for her word did not hold
believed in absolute transparency, and what you say holds forever; if i say that I am going to live with you for the rest of my life, this sticks - she was absolutely consistent with her claims about virtue; people were scandalized by her behavior

pg. 74/75: she says man and means humans ; every individual is a world within itself

Friday, January 23, 2009

1/23 Pretty Woman

You have to be filthy rich to get the woman and live happily ever after... men under so much pressure to be successful in this society, because that is how you become the "prince". Woman have pressure to be helpless as well, you have to be like in distress. 

Cinderella complex: Almost every "chick flick", well almost every movie that is at the theatre always has some elements of the cinderella-esque fairytale, yet these movies make money, lots and lots of money, and I am right along there contributing, because I do yearn to see the happy ending. I want women to fall in love with their dream man and live happily ever after, because this is entertaining, this is hopeful, this COULD happen. Most often you see the woman who consumes herself with work, gets to the top of the ladder (baby momma or wedding planner), and then suddenly realizes that she has been burying herself in her work only because she is void of a male security unit. She suddenly finds her Prince charming, or more often he finds her by saving her in some sort, and she decides love trumps all and work in no longer necessary. 

... and I was just thinking of the concept of a wedding. The husband waits at the alter, while the bride walks, what does this signify? The man waits to take his bride, not the other way around, the father gives the daughter to the  new man. So essentially she is never independent of a man, she is first her fathers "property", and than hopefully transferred to her husband. 

The Pretty Woman Myth/ Cinderella Complex

When asked to come up with just one example of the Cinderella Complex (the idea of a man sweeping a woman off of her awaiting feet and living happily ever after), I found it hard to narrow it down to just one I wanted to discuss. I at first thought about the game I used to love to play when I was little, it involved a board that had all young mens faces on it and cards that had their fake telephone numbers.

41k+LVfbf+L._SL500_AA280_.jpg

 All game you would attempt to successfully make your dream guy fall in love with you. This was a normal saturday evening, trying desperately to make fake men fall in love with me on a fake cell phone. So it all starts as little children, but progressively gets worse as we age. I can only think of the reality show the Bachelor (and there are others, Rock of Love, Flava Flav, etc). 

155219__bachelor_l.jpg

These shows get girls to come on reality television, flaunt around their assests, go after the same man as 25 other woman want, and then when kicked off, have an emotional breakdown because the man did not chose them. I almost appreciate the naughtier versions like Rock of Love more because those girls at least know what they are doing and almost seem to be playing the game right back.

rockoflove.jpg

 Bachelor though is serious, woman actually want to fall in love, and think it is necessary to share their "love" with 25 other woman. They are wined and dined in fairytale circumstances, for what seems to be the white knight sweeping them from their fragile feet. Yet this is Hollywood, where dreams come true, and than once no one cares anymore and you aren't whisking off to Paris every weekend, all falls apart. It is just an interesting concept for a feminist to approach because while i disapprove, I think that all women need to have their own dream, and I can't hate these women for dreaming what every little girl must have dreamed, but just carrying it through to their adult years.

Friday, January 16, 2009

Winterson

I think Winterson's article is most interesting in the fact that she accuses the human population of becoming obsessed with reality because of an innate fear of imagination. We are obsesssed with reality tv, biographies, etc, because we fear the steps into our inner life, our inner poetic goddess. 
Winterson also explains how she re-works traditional myths to explore innate human feelings, feelings that often take on their own persona, feelings that take a tremendous amount of imagination to understand and develop on paper. Language must force the author to find the essential human truths, to capture imagination, yet work it into the reality of human truths.

The Cinderella Complex

I agree with what Dowling says as the idea of the "cinderella complex". I think that many woman prepare their entire lives for the sweeping off their feet-type of romance, but moreover for security. While men depend only on themselves, even though i have witnessed some exceptions, women are able to experience their own independence with the backdrop of eventually finding someone to take care of them in essence. I personally do not believe in this, I think I can only truly and happily depend on myself, but I understand the need for the this attachment, because I know people who desire this/who need this, at least thats what they think. Dowling calls this marriage as a "collapse of ambition", which I am not sure I would go that far, but I understand that once you find this security, there is a sense of slowing down, becoming accustom to a life of dependency - no need for a quest/search anymore. 

Class Notes 1/16/09: the rich are really amputated in some fundamental way - literally the stepsisters chop off their feet - Carter's version of Ashputtle- Cinderella is not just dirty, but literally burned; sacrifice for the purpose of pushing  someone into independence "give your own milk next time, I'm dry" - anticlimax for giving her all your milk, blood, claws - "she did alright". 

Turning now to Weight, the retelling of fairytales by artists: (Jeanette Winterson)
In artistic retelling of fairytales, does art counteract ideology (wounded by wishes) - 
- I do not think art so much counteracts the surrounding ideologies of fairytales, moreover gives a deeper notion into the human interactions behind these ideologies, reinterprets these ideologies. For example, I have read Jeanette Winterson's novel "Written on the Body", and I have to say it is my favorite book to date (the only one I never sold back to the bookstore!). In the book she falls madly in love, a love that is so deep, so fairytale, so passionate that it literally consumes the narrator - yet this is not a rag to riches tale, it is just a journey through the emotions of love. Yet the ideology behind fairytales is the happily ever after, that is the essential notion of a fairytale - yet this novel reworks happily ever after. The narrators lover is diagnosed with cancer, and she consequently dies, but the imagination and vigor with which the narrator writes is so poetic, that it is almost as the creation of art is her happily ever after. 

Wednesday, January 14, 2009

What is "art" ... does it transfer, sedate, traspose, satisfy (hunger)?